catalogue.
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orchestral & large ensemble:
to be tender (2018) for clarinet at ensemble LA Philharmonic commission for Boris Allakhverdyan and the LA Phil New Music Group other worthy (2017) for 16 voices commissioned by the New York Virtuoso Singers smear'd (2015) for chamber ensemble (15 players) written for wild Up at the LA Philharmonic National Composer's Intensive Suite Before Dawn (2015) for orchestra premiered by the USC Thornton Symphony Orchestra installations & electronic works:
For what appeared to me in my dreams was the voice of the spirit. (2019) for four performers, projector, and LED lights aura (2019) for performer and portable electronics h a i r l e s s (2018) for performer and live electornics guided improvisation with Ableton live, comb, and lap harp inter (2017) for performer and live electronics compassion/in and out (2017) sound installation supported by Brandeis University Office of the Arts and the Leonard Bernstein Festival of the Creative Arts narcissism, self care (2017) sculpture/long durational work -less (2016) for four performers guided improvisation for portable electronics and voices lume (2016) for performer and live electronics become evian #çççççççç (2015) fixed media |
chamber ensemble:
luster (2019) for flute, bass clarinet, euphonium, guitar, and percussion written for wasteLAnd's Summer Academy sensory meridian (2019) for four performers, live electronics, and dancers written in collaboration with Daniel Caputo and Daniel Leo a dream in my throat (2017) for cello quintet commissioned by SAKURA #skulldata (memory_protest) (2016) for trumpet, electric guitar, percussion, and electronics premiered by ICE members Peter Evans, Dan Lippel, and Nathan Davis FAMILIAR_WASTE (2016) three opera scenes (libretto by Raphael Stigliano) for three singers (soprano, alto, baritone), clarinet, tenor saxophone, and percussion uneasiness of being {49.4c02 ERROR} (2015) for bass clarinet and bring quartet premiered by Gleb Kanasevich and the Lydian String Quartet solos & duos:
bdbdbd pqpqpq (2019) for bass clarinet and marimba written for Transient Canvas burnt muscle (17) (2018) for violin and guitar even when i leave (2017) for cello written for Ernest Ling |
